Thunderous Applause for Dancing Lights and Floating Tables
Hangman (the Do-Theatre dance company's latest choreography,) leads us into a strange world of perpetrators and victims, judges and executioners,
by evoking startling associations and eerie effects of light and shadow.
What's important and significant is how the Trinity of personified deafness, blindness and muteness is interpreted and overcome in the dancing.
...dancing lights and floating tables start a sort of bizarre and surreal interaction between convicts, judges and murderers.
Grit Schorn. AachenerZeitung April 2006
Killing good body art.
In the Hangman's choreography an innovative language of movements is created, in which both brutal and macabre elements as well as poetic and mysterious elements are used ingeniously.
The appeal of this fascinating and captivating Hangman legend lies in the role reversals and the intriguing changes of perspective.
Aachener Nachrichten April 2006